Guinean Orchestras of the First Republic
Compiled by Graeme Counsel
This
information was first published in the
PhD thesis
"Mande
popular music and cultural policies in West Africa",
by Graeme Counsel.
University of Melbourne. 2006.
©
Copyright 2006 - 2008
National Orchestras
Orchestré de la Garde
Républicaine
The Orchestré de la Garde Républicaine were actually Guinea's first
orchestre, as they were already in existence in 1958 at independence. After
independence they were instructed to drop their European march tunes for
music befitting the new nation. In later years they were split into two
groups - Orchestré
de la Garde Républicaine 1ère formation, who became the Super
Boiro Band, and Orchestré de la Garde Républicaine 2ème
formation.
Syli Orchestre National
Formed in 1959, the Syli Orchestre
National contained Guinea's elite musicians. The orchestra represented Guinea at
international festivals, including Helsinki (1962), Algiers (1969), and Tunis
(1973), as well as performing in Berlin, Lagos and Cuba. The first chef
d'orchestre was Kanfory Sanoussi (accordion, banjo and vibraphone), with other
musicians at the time including
Kerfala “Papa” Diabaté (guitar), Balla Onivogui (trumpet), Keletigui Traoré
(tenor saxophone), Pivi Moriba (trombone), Momo Wandel (saxophone), Kerfala
Camara (bass), and Jean Fanga (drums).
In later years the orchestre included Demba Camara (vocals) and Sékou
"Diamond Fingers" Diabaté
(lead guitar). In 1962 they were disbanded, as they were too many musicians,
though the orchestra were reformed for years to come. At the Premier Festival Culturel Panafricain held in Algiers in
1969 the Syli Orchestre Nationale performed "Regard sur le passé", by Bembeya
Jazz, and other hits from Guinean orchestras. They were rewarded with a silver
medal in the "Orchestre moderne" section.
Balla et ses Balladins (originally “Orchestre du Jardin de Guinée”)
Formed from the split of the
Syli Orchestre National.
Balla Onivogui (trumpet), was the chef d'orchestre,
though Pivi Moriba (trombone) was designated leader in the early 1970s,
hence the group Pivi et les Balladins. Balla was reinstated upon the order
of Sékou
Touré.
Keletigui et ses
Tambourinis
(originally
"Orchestre de la Pailotte".
Formed
from
“L’Orchestre de la Bonne Auberge”
and
“La Formation Kerfala Camara Tamborini”).
Formed from the split of the
Syli Orchestre National.
Kélétigui
Traoré was the
chef d'orchestre.
Les Amazones
de Guinée (originally "L'Orchestre Féminin
de Camp Almamy Samory", "L'Orchestre Féminin
de la Brigade Nationale",
and “La Orchestre Féminin de la Gendarmerie”)
Formed in 1961 this all-female group of
policewomen were emblematic of Guinea's social policy of gender equality. In 1965 the band ceased to play banjos and other acoustic instruments, swapping them for electric guitars, brass instruments
and a Western-style drum kit.
Bembeya Jazz National (originally “Orchestre de Beyla”)
Formed in 1961, they won the "orchestre
moderne" category at the annual arts festivals, the
"Quinzaine artistiques
de la jeunesse", in 1964 and 1965. In October 1966 they were nationalised,
the first Federal Orchestra to be awarded this honour. Hamidou Diaouné
was the chef d'orchestre.
Horoya Band National (originally “Horoya Jazz”
and “Horoya Band de
Kankan”)
Formed in 1961 the Horoya Band de Kankan
won the best orchestra prize in 1967, 1968 and 1971 at the
Quinzaine artistiques. They were nationalised in 1971.
Métoura
"Papa paya-paya" Traoré was the chef d'orchestre.
Super Boiro Band (originally
“Orchestré de la Garde Républicaine 1ère formation”)
Mamadou Niaissa was the chef d'orchestre.
Badiar
Jazz – Koundara
Bafila Band (originally “Sataboum Jazz”) – Forécariah
Bafing Jazz – Mamou
Camayenne Sofa (Originally “Kakilambé Jazz de Conakry II” and “Hafia
Orchestra". Also known as “Les Sofas de Camayenne” & “Camayenne Sextet”) – Conakry II
Dimma Fooly – Koubia
Dirou-Band – Kindia
Dynamic Fatala Ambience – Boffa
Kaloum Star – Conakry I (also known as "Kaloum Jazz")
Kebali Jazz – Dinguiraye
Kébendo Jazz – Guéckédou (won the 1st prize at four
Quinzaine artistiques,
two more than Bembeya Jazz and one more than the Horoya Band, but were never
nationalised...)
Kinkon Jazz (originally “Fetoré Jazz”) – Pita
Kolima Jazz – Labé
Koloum Jazz – Tougué (also known as "Kolon Jazz")
Loura Jazz – Mali-ville
Manden Könö (originally "Djoliba Jazz") – Siguiri
Les Messagers du Niger (originally “Djoli Band”) – Kouroussa
Niandan Jazz – Kissidougou
Nimba Jazz – N’zérékoré
Nimba Succes – Lola
Orchestre Super Tominé Authentique (originally "Tomini Jazz") – Gaoual
Palm Jazz – Macenta
Simandou Jazz – Beyla
Sombory Jazz – Fria
Sorsornet Rythme (originally “Kakandé Jazz”) – Boké
Soumba Jazz (originally “Tabounzou Jazz”) – Coyah
Super Sanankoro (originally "Sankaran Jazz") – Kérouané
Super Sankoly Rythm – Lélouma
Syli Authentic (originally "Les Messagers du Mory Findian") – Conakry III
Télé Jazz – Télimélé
Téné Jazz (originally "Dala Jazz") – Dalaba
Tinkisso Jazz – Dabola
Tout Puissant Forest Band (originally "Oulé Jazz") – Yomou
Tropical Djoli Band (originally "Djoliba Band") – Faranah
22 Band (originally “Le 22 Novembre Band”) – Kankan
Wassolon Könö – Mandiana
Other 1st republic orchestras
Le Fils du
Raïs – Institut Polytechnique “Gamal Abdel Nasser”, University of Conakry
Nyerere Jazz
–
Institut Polytechnique “Julius Nyerere”, University of
Kankan
Sankaran Echo –
Institut
“Valery Giscar d’Estaing” de Faranah
This page was created on May 19 2006 and was
last updated on June 12 2008.
Graeme Counsel
© Copyright 2006 - 2008
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